Kodak Vision 3

Kodak Vision 3. We’ve incorporated the remarkable performance of KODAK VISION3 500T Color Negative Film in a mediumspeed daylightbalanced emulsion – providing filmmakers a tool to add to their creative palettes Thanks to KODAK VISION3 Film technology VISION3 250D Film offers outstanding performance in the extremes of exposure — including increased highlight latitude so you can move faster on the set and pull more detail out of the highlights in post Format 8mm 16mm 35mm 65mmType Color negativeName Kodak VISION3 250D (5207)Vendor Kodak.

KODAK VISION3 Color Digital Intermediate Films are designed as part of an integrated endtoend solution providing a bridge between the outstanding performance of Kodak Color Negative Films and the show quality of KODAK VISION Color Print Films The new films are available in both ESTAR and acetate bases.

VISION3 500T Color Negative Film 5219/7219 Kodak

To deliver high imagequality in lowlight scenes VISION3 500T Film yields higher signaltonoise ratios and the extended highlight latitude the film provides gives you greater flexibility to pull even more detail out of highlights when lighting extreme situations See the difference KODAK VISION3 500T Color Negative Film 5219/7219.

Film stock review: Kodak VISION3 250D (5207) motion picture

KODAK VISION3 50D Color Negative Film 5203 / 7203 • H15203t 3 visual density For duplicating films the specified aims are at the center of the usable straightline portion of the sensitometric curve of the film Due to normal variations in exposure and processing of color negative films particular scenes may not print.

KODAK VISION3 Color Digital Intermediate Film 2254 Kodak

I liked it enough to try some of Kodak&#39s Vision 3 500T which is a tungsten rated film ideal for indoor and night shooting 500T is one of the four Vision 3 films available the others being 50D and 250D (daylight) and 200T and 500T (tungsten) As well as shooting at night I also tried the 500T in daylight with an 85b amber filter this filter is required for daylight shooting of any tungstenbalanced film to avoid nasty blue colour casts.